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Master of the Animals Finial
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This “master of animals” finial depicts a stylized man with an (attacking?) animal on each side. The man has a fungiform cap, open at the center for insertion of a pin. The man, who is janiform (having the same face on front and back), has open, circular eyes, molded brows, and a prominent triangular nose. His mouth is two raised lines, and his jaw is rounded. He has small, rounded ears high on his head, partially obscured by the mouths of the animals. The only other part of his body that is possibly visible is the belt encircling his waist, bordered on the top and bottom by raised bands (although, since the bodies of the animals are not visible here, it may be decorative). The animals press their midsections against the man, clutching him with their forepaws, heads raised and mouths open directly next to his head. The animals have curved ears, wide eyes, furrowed heads and snouts, and mouths open revealing large canines. Their forelimbs are pressed flat to his body, with their paws encircling his neck. The bodies disappear beneath the belt at the waist and then reappear below the belt with prominent hindquarters and bent legs. While rendered rather flatly on the front, their bodies are very raised on the side, creating an hourglass shape. They have long tails curling into a double spiral. The end of the cylinder has molded lines on one side. A thin strip of metal separating the hindlimbs of the animals may be the body of the man (or reinforcing—it is broken at the bottom on one side).
Department of Ancient and Byzantine Art & Numismatics
Louise M. and George E. Bates Camden ME (by 1971-1992) gift; to the Harvard University Art Museums 1992.
Harvard Art Museums/Arthur M. Sackler Museum Gift of Louise M. and George E. Bates
Title: Master of the Animals Finial
Description:
This “master of animals” finial depicts a stylized man with an (attacking?) animal on each side.
The man has a fungiform cap, open at the center for insertion of a pin.
The man, who is janiform (having the same face on front and back), has open, circular eyes, molded brows, and a prominent triangular nose.
His mouth is two raised lines, and his jaw is rounded.
He has small, rounded ears high on his head, partially obscured by the mouths of the animals.
The only other part of his body that is possibly visible is the belt encircling his waist, bordered on the top and bottom by raised bands (although, since the bodies of the animals are not visible here, it may be decorative).
The animals press their midsections against the man, clutching him with their forepaws, heads raised and mouths open directly next to his head.
The animals have curved ears, wide eyes, furrowed heads and snouts, and mouths open revealing large canines.
Their forelimbs are pressed flat to his body, with their paws encircling his neck.
The bodies disappear beneath the belt at the waist and then reappear below the belt with prominent hindquarters and bent legs.
While rendered rather flatly on the front, their bodies are very raised on the side, creating an hourglass shape.
They have long tails curling into a double spiral.
The end of the cylinder has molded lines on one side.
A thin strip of metal separating the hindlimbs of the animals may be the body of the man (or reinforcing—it is broken at the bottom on one side).
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