The Virgin prays to the Christ child. Engraving by J. Morin, c. 1640, after Titian.

Prior to 1874 this Virgin and Child was in the Sciarra-Colonna collection in Rome, where it was seen by Crowe and Cavalcaselle who included it in their publication on Titian of 187...

In his Arte de la Pintura, Pacheco left a significant account of Rubens’ second trip to Spain of 1628–29 (following his first trip of 1603). Pacheco mentions some of Rubens’ activi...

The Penitent Saint Jerome is dated to the final period of Titian’s career. During these years Titian continued to paint masterpieces, such as the great canvas of The Martyrdom of S...

This pair of panels formed part of a large ensemble of which the other subjects are now unknown. Within the Museum’s collection they are among the most iconographically interesting...

The Virgin and Child with Angels was in a private English collection, entering the Thyssen-Bornemisza collection in 1933 via the Sanct Lucas gallery in Vienna. The painting has bee...

This pair of panels formed part of a large ensemble of which the other subjects are now unknown. Within the Museum’s collection they are among the most iconographically interesting...

The Virgin and Child are seated in a landscape. The Virgin, wearing a pink robe, holds the swaddled Christ child up towards a dark-haired man who kneels before them, his hands pres...

This anonymous painter worked in the city of Bruges, as we can tell from the depictions of the city that appear in some of the backgrounds of his paintings. His name is derived fro...