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The Eastern Pediment of the Temple of Zeus at Olympia, and the Western Pediment of the Parthenon

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In proffering this attempt at providing a new principle for the interpretation of the Eastern Pediment of the Temple of Zeus at Olympia, founded upon the recognition of the general principles of pedimental compositions as they manifest themselves after a careful study of the extant monuments of this class, and, more especially, upon a comparison between this Olympian pediment and the western pediment of the Parthenon, the writer fears that he may meet with prejudice on the part of those who have already fixed in their minds an essentially different mode of approaching the subject. He fears this the more as it is entirely beyond his power on this occasion to give a full account of these general principles, or rather of the traditional forms of rendering mythological scenes in compositions of this class, as they have manifested themselves to him in studying a considerable number of ancient representations of mythological scenes for the purpose of elucidating the composition of the pediments of the Parthenon.
Cambridge University Press (CUP)
Title: The Eastern Pediment of the Temple of Zeus at Olympia, and the Western Pediment of the Parthenon
Description:
In proffering this attempt at providing a new principle for the interpretation of the Eastern Pediment of the Temple of Zeus at Olympia, founded upon the recognition of the general principles of pedimental compositions as they manifest themselves after a careful study of the extant monuments of this class, and, more especially, upon a comparison between this Olympian pediment and the western pediment of the Parthenon, the writer fears that he may meet with prejudice on the part of those who have already fixed in their minds an essentially different mode of approaching the subject.
He fears this the more as it is entirely beyond his power on this occasion to give a full account of these general principles, or rather of the traditional forms of rendering mythological scenes in compositions of this class, as they have manifested themselves to him in studying a considerable number of ancient representations of mythological scenes for the purpose of elucidating the composition of the pediments of the Parthenon.

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