Search engine for discovering works of Art, research articles, and books related to Art and Culture
ShareThis
Javascript must be enabled to continue!

Epodes

View through CrossRef
Abstract This chapter explains the nature of the ‘iambic’ poetry in the Epodes, a poetry of abuse with models in the Greek poets Hipponax and especially Archilochus (the latter in the 7th century bce). The association of iambic poetry with the symposium, a Greek male social gathering, is considered, and its aggressive representation of women: the point is made how selective a reading of Horace is required to produce the model of middle-aged poise and wisdom that is his modern reputation. But the high capacity of this poetry to convey the tense and febrile conditions of Rome at the time of its publication, in the immediate context of the critical battle of Actium, is also observed.
Title: Epodes
Description:
Abstract This chapter explains the nature of the ‘iambic’ poetry in the Epodes, a poetry of abuse with models in the Greek poets Hipponax and especially Archilochus (the latter in the 7th century bce).
The association of iambic poetry with the symposium, a Greek male social gathering, is considered, and its aggressive representation of women: the point is made how selective a reading of Horace is required to produce the model of middle-aged poise and wisdom that is his modern reputation.
But the high capacity of this poetry to convey the tense and febrile conditions of Rome at the time of its publication, in the immediate context of the critical battle of Actium, is also observed.

Related Results

Going Soft on Canidia
Going Soft on Canidia
Written during the early years of Augustus’s consoli-dation of power at Rome (the period sometimes, though misleadingly, called the beginning of the empire), ...
Horace-as-Alcaeus ( Odes 3.6) Impersonates Horace-as-Archilochus ( Epodes 7 And 16): Persona And Poetic Autobiography In Horace
Horace-as-Alcaeus ( Odes 3.6) Impersonates Horace-as-Archilochus ( Epodes 7 And 16): Persona And Poetic Autobiography In Horace
Abstract: A reader's enjoyment of Odes 3.6 and Epodes 7 and 16 is deepened by an awareness of the interplay between two relationships in Horace's poetry: the relationship of the sp...
Odi et amo
Odi et amo
This chapter departs from the fact that Sappho was from Lesbos, and the name of Catullus’ beloved ‘Lesbia’ implies the same. Through an extensive analysis of the name of Lesbia in ...
Horace: A Very Short Introduction
Horace: A Very Short Introduction
Abstract This book provides an introduction to the poetry of Horace (Q. Horatius Flaccus), a Roman poet active in the second half of the 1st century bce. It sketches...
On Not Being Archilochus: Horace'sEpodes
On Not Being Archilochus: Horace'sEpodes
AbstractHorace's Epodes both incorporate and react against their archaic model Archilochus, and also interact significantly with other contemporary genres (Vergil's Eclogues and lo...
HORACE IN LOVE, HORACE ON LOVE
HORACE IN LOVE, HORACE ON LOVE
AbstractThe anti-Catullan and anti-elegiac perspective characterizing Horace's erotic Odes builds on elements of the biography of his persona found in his juvenile collections, the...
Horace (Quintus Horatius Flaccus)
Horace (Quintus Horatius Flaccus)
Abstract Roman poet, 65–8 bce . Author of some of the most important and influential poetic collections in Latin literature, two book...
Provocation et vérité. Forme et sens des paradoxes stoïciens dans la poésie latine, chez Lucilius, Horace, Lucain et Perse
Provocation et vérité. Forme et sens des paradoxes stoïciens dans la poésie latine, chez Lucilius, Horace, Lucain et Perse
La présence des paradoxes stoïciens dans l’œuvre de poètes dont les liens avec le Portique sont divers révèle le statut particulier occupé par ces formules déconcertantes dans la p...

Back to Top