Search engine for discovering works of Art, research articles, and books related to Art and Culture
ShareThis
Javascript must be enabled to continue!

Victorian Science

View through CrossRef
Abstract Now virtually unknown, Anne Pratt (1806–1893) remains an important Victorian illustrator, naturalist, and popularizer of science, whose Wild Flowers (1852) made a strong impression on Queen Victoria. While Pratt’s works addressed a largely female audience, their generic appeal, reflecting her profound botanical knowledge and astute insights into flower study, had an ever broader reach into the general public. Pratt authored over twenty books, among them Chapters on the Common Things of the Sea-Side (1850), which saw four editions in ten years. Hopkins was given a second edition as a gift for his tenth birthday. Though he nowhere acknowledges Pratt but for an obscure reference in a letter to his mother, a precocious Hopkins would have found in Chapters the keen attention to nature he would later observe in Ruskin. Pratt’s study would have been an important precursor for Hopkins’s detailed observations of nature in his journals, diaries, and notebooks. Especially pronounced are their attempts to connect the beauty in nature to a benevolent Creator and a natural theology in which everything in nature, to use a Hopkins expression, “speaks and spells” Christ. In their theology of the aesthetics, the divine plays in “ten thousand places.”
Title: Victorian Science
Description:
Abstract Now virtually unknown, Anne Pratt (1806–1893) remains an important Victorian illustrator, naturalist, and popularizer of science, whose Wild Flowers (1852) made a strong impression on Queen Victoria.
While Pratt’s works addressed a largely female audience, their generic appeal, reflecting her profound botanical knowledge and astute insights into flower study, had an ever broader reach into the general public.
Pratt authored over twenty books, among them Chapters on the Common Things of the Sea-Side (1850), which saw four editions in ten years.
Hopkins was given a second edition as a gift for his tenth birthday.
Though he nowhere acknowledges Pratt but for an obscure reference in a letter to his mother, a precocious Hopkins would have found in Chapters the keen attention to nature he would later observe in Ruskin.
Pratt’s study would have been an important precursor for Hopkins’s detailed observations of nature in his journals, diaries, and notebooks.
Especially pronounced are their attempts to connect the beauty in nature to a benevolent Creator and a natural theology in which everything in nature, to use a Hopkins expression, “speaks and spells” Christ.
In their theology of the aesthetics, the divine plays in “ten thousand places.
”.

Related Results

The Late-Victorian ‘New Man’ and the Neo-Victorian ‘Neo-Man’
The Late-Victorian ‘New Man’ and the Neo-Victorian ‘Neo-Man’
The New Man was a crucial topic of discussion and a continual preoccupation in late-Victorian feminist writing, precisely because he was more often a wished-for presence than an ac...
Back in time for utopia: Neo-Victorian utopianism and the return to William Morris
Back in time for utopia: Neo-Victorian utopianism and the return to William Morris
When we think of the Victorian era, images of shrouded piano legs, dismal factories and smoggy streets often come to mind. However, the 19th century has been rediscovered in recent...
Enacting the social relations of science: historical (anti-)boundary-work of Danish science journalist Børge Michelsen
Enacting the social relations of science: historical (anti-)boundary-work of Danish science journalist Børge Michelsen
This article investigates the writings of Danish science journalist Børge Michelsen from 1939 to 1956. As part of the international social relations of science movement in the peri...
“THE POETRY OF SCIENCE”: CHARLES DICKENS, GEOLOGY, AND VISUAL AND MATERIAL CULTURE IN VICTORIAN LONDON
“THE POETRY OF SCIENCE”: CHARLES DICKENS, GEOLOGY, AND VISUAL AND MATERIAL CULTURE IN VICTORIAN LONDON
DESPITE THE WELL-ESTABLISHED CONNECTIONSbetween Dickens's novels and Victorian popular entertainment, and between Victorian show business and the display and dissemination of scien...
Behind closed doors: Pornographic uses of the Victorian
Behind closed doors: Pornographic uses of the Victorian
This essay argues that the frequency and consistency of Victorian-set or Victorian-influenced pornographic films highlight hardcore’s reliance on class- and gender-related spatial ...
What’s science? Where’s science? Science journalism in German print media
What’s science? Where’s science? Science journalism in German print media
This article examines the current state of science coverage in German print media. It deals with the following questions: (1) how the main characteristics of science journalism can...
Science Communication as a Boundary Space: An Interactive Installation about the Social Responsibility of Science
Science Communication as a Boundary Space: An Interactive Installation about the Social Responsibility of Science
Science communication has traditionally been seen as a means of crossing the boundary of science: moving scientific knowledge into the public. This paper presents an alternative un...
Science, Values, and the Value of Science
Science, Values, and the Value of Science
Protagonists in the so-called Science Wars differ most markedly in their views about the role of values in science and what makes science valuable. Scientists and philosophers of s...

Back to Top