Search engine for discovering works of Art, research articles, and books related to Art and Culture
ShareThis
Javascript must be enabled to continue!

Easton and Dante: beyond Chaucer

View through CrossRef
Easton’s detailed engagement with the Monarchia (especially Book III) is a very early – and possibly the earliest – response to Dante by an English writer. It forms an important part of the debate about papal authority in the later stages in his Defensorium ecclesiastice potestatis, and it would influence thinking on the subject in the middle of the following century (for example, in John Whethamstede’s writing on the papacy). The essay considers Easton’s reading of and disagreement with Dante in the context of the Defensorium’s composition at the Avignon Curia in the 1370s, along with the possibility that during the English cardinal’s later years in Italy he and Chaucer might well have known about each other’s work.
Title: Easton and Dante: beyond Chaucer
Description:
Easton’s detailed engagement with the Monarchia (especially Book III) is a very early – and possibly the earliest – response to Dante by an English writer.
It forms an important part of the debate about papal authority in the later stages in his Defensorium ecclesiastice potestatis, and it would influence thinking on the subject in the middle of the following century (for example, in John Whethamstede’s writing on the papacy).
The essay considers Easton’s reading of and disagreement with Dante in the context of the Defensorium’s composition at the Avignon Curia in the 1370s, along with the possibility that during the English cardinal’s later years in Italy he and Chaucer might well have known about each other’s work.

Related Results

Mary Flannery, Geoffrey Chaucer: Unveiling the Merry Bard. London: Reaktion Books, 2024, pp. 208; ill.
Mary Flannery, Geoffrey Chaucer: Unveiling the Merry Bard. London: Reaktion Books, 2024, pp. 208; ill.
Mary Flannery, who holds a Swiss National Science Foundation Eccellenza Professorial Fellowship at the University of Bern, has written a new biography of Geoffrey Chaucer. Her book...
John Gower Copies Geoffrey Chaucer
John Gower Copies Geoffrey Chaucer
Abstract Gower borrows from Chaucer's legends of Cleopatra and of Thisbe in the Legend of Good Women. He copies Chaucer in a way similar both to how medieval readers...
Convegno SISD Lugano 2023
Convegno SISD Lugano 2023
Raffaele Pinto (Università di Barcellona). PRESENTAZIONE del SISD Mirco Cittadini. Dante e il mondo infero: Hillman interprete (in)consapevole della Commedia Raffaele Pinto (Un...
The First Riverside Chaucer
The First Riverside Chaucer
ABSTRACT This article highlights the accomplishments of a nineteenth-century American editor of Chaucer’s works, Arthur Gilman. It describes the nature of those acco...
Geoffrey Chaucer, Cecily Chaumpaigne, and the Statute of Laborers: New Records and Old Evidence Reconsidered
Geoffrey Chaucer, Cecily Chaumpaigne, and the Statute of Laborers: New Records and Old Evidence Reconsidered
ABSTRACT This article introduces two records that clarify the relationship between Geoffrey Chaucer and Cecily Chaumpaigne. The new documents also demonstrate the re...
Figures françaises de Dante : un mythe romantique
Figures françaises de Dante : un mythe romantique
Ce travail construit une dantologie transcendantale fondée sur la fécondité et la légitimité du commentarisme français tout au long du dix-neuvième siècle. Le nom et l’œuvre de Dan...
Adam Easton and the Great Schism
Adam Easton and the Great Schism
Adam Easton, a monk of Norwich cathedral priory and a doctor of theology of Oxford University, accompanied Simon Langham to the papal Curia in 1369 after Langham had been...
Female-coded Spirituality in Geoffrey Chaucer’s The Canterbury Tales
Female-coded Spirituality in Geoffrey Chaucer’s The Canterbury Tales
The works of Geoffrey Chaucer (c.1345-1400)—the so-called ‘Father’ of English—have been subject to a substantial amount of scholarly attention. Both Chaucer and his writings have b...

Back to Top