Search engine for discovering works of Art, research articles, and books related to Art and Culture
ShareThis
Javascript must be enabled to continue!

The Culture of Connectivity

View through CrossRef
Abstract This book studies the rise of social media in the first decade of the twenty-first century, up until 2012. It provides both a historical and a critical analysis of the emergence of networking services in the context of a changing ecosystem of connective media. Such history is needed to understand how the intricate constellation of platforms profoundly affects our experience of online sociality. In a short period of time, services like Facebook, YouTube and many others have come to deeply penetrate our daily habits of communication and creative production. While most sites started out as amateur-driven community platforms, half a decade later they have turned into large corporations that do not just facilitate user connectedness, but have become global information and data mining companies extracting and exploiting user connectivity. Offering a dual analytical prism to examine techno-cultural as well as socio-economic aspects of social media, the author dissects five major platforms: Facebook, Twitter, Flickr, YouTube, and Wikipedia. Each of these microsystems occupies a distinct position in the larger ecosystem of connective media, and yet, their underlying mechanisms for coding interfaces, steering users, filtering content, governance and business models rely on shared ideological principles. Reconstructing the premises on which these platforms are built, this study highlights how norms for online interaction and communication gradually changed. “Sharing,” “friending,” “liking,” “following,” “trending,” and “favoriting” have come to denote online practices imbued with specific technological and economic meanings. This process of normalization is part of a larger political and ideological battle over information control in an online world where everything is bound to become “social.”
Oxford University PressNew York
Title: The Culture of Connectivity
Description:
Abstract This book studies the rise of social media in the first decade of the twenty-first century, up until 2012.
It provides both a historical and a critical analysis of the emergence of networking services in the context of a changing ecosystem of connective media.
Such history is needed to understand how the intricate constellation of platforms profoundly affects our experience of online sociality.
In a short period of time, services like Facebook, YouTube and many others have come to deeply penetrate our daily habits of communication and creative production.
While most sites started out as amateur-driven community platforms, half a decade later they have turned into large corporations that do not just facilitate user connectedness, but have become global information and data mining companies extracting and exploiting user connectivity.
Offering a dual analytical prism to examine techno-cultural as well as socio-economic aspects of social media, the author dissects five major platforms: Facebook, Twitter, Flickr, YouTube, and Wikipedia.
Each of these microsystems occupies a distinct position in the larger ecosystem of connective media, and yet, their underlying mechanisms for coding interfaces, steering users, filtering content, governance and business models rely on shared ideological principles.
Reconstructing the premises on which these platforms are built, this study highlights how norms for online interaction and communication gradually changed.
“Sharing,” “friending,” “liking,” “following,” “trending,” and “favoriting” have come to denote online practices imbued with specific technological and economic meanings.
This process of normalization is part of a larger political and ideological battle over information control in an online world where everything is bound to become “social.
”.

Related Results

African Americans and Popular Culture
African Americans and Popular Culture
The African American influence on popular culture is among the most sweeping and lasting this country has seen. Despite a history of institutionalized racism, black artists, entert...
Library Worker's Guide to Saying No to White Supremacy Work Culture
Library Worker's Guide to Saying No to White Supremacy Work Culture
A call to action to dismantle the white supremacy work culture in libraries, and create an environment where EDI is not only talked about but realized. Are the standards ...
The Lively Arts
The Lively Arts
Abstract He was a friend of James Joyce, Pablo Picasso, e.e. cummings, John Dos Passos, Irving Berlin, and F. Scott Fitzgerald--and the enemy of Ezra Pound, H.L. Men...
Images of Europe, European Images: Postwar European Cinema and Television Culture
Images of Europe, European Images: Postwar European Cinema and Television Culture
The audio-visual culture of Europe right after 1945 was a culture in ashes in a Europe soon to be divided into east and west under the Cold War. It was a Europe where nation-states...
Writing Material Culture History
Writing Material Culture History
Writing Material Culture History examines the methodologies currently used in the historical study of material culture. Touching on archaeology, anthropology, art history and liter...
Communication Perspectives on Popular Culture
Communication Perspectives on Popular Culture
Popular culture helps construct, define, and impact our everyday realities and must be taken seriously because popular culture is, simply, popular. Communication Perspectives on Po...
African American Folklore
African American Folklore
African American folklore dates back 240 years and has had a significant impact on American culture from the slavery period to the modern day. This encyclopedia provides accessible...
Nationalism: Past as Prologue
Nationalism: Past as Prologue
Nationalism: Past as Prologue began as a single volume being compiled by Ad Akande, a scholar from South Africa, who proposed it to me as co-author about two years ago. The origina...

Back to Top