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Χωρίς τίτλο

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Untitled. 1921. Watercolour and ink on paper. 10.1 x 12.2. Multicoloured geometric composition structured around an irregularly shaped white form in the center, which is surrounded by a larger (with a common arc) curve which in turn is flanked by a wider (also with a common arc) yellow. Within the white form a number of small geometric patterns can be seen (blue irregular pentagon (?) in the center with another inverted one of the same shape, smaller size and red colour in the upper part, a network of black parallel or intersecting lines, four small blue rhombuses, a red circle as and small monochromatic curvilinear forms, in animal motifs, around the perimeter of the central composition). The composition is projected onto a single off-white background, within which a multitude of geometric references are figuratively described around the perimeter, such as networks of circular and radially intersecting lines or vertically intersecting straight lines, forming respectively a circular or straight canvas, irregular, curvilinear, circular (concentric or intersecting) and rectangular surfaces, networks of intersecting straight lines or curves and straight lines, which vary overall in both colour and scale. Suprematism.
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Title: Χωρίς τίτλο
Description:
Untitled.
1921.
Watercolour and ink on paper.
10.
1 x 12.
2.
Multicoloured geometric composition structured around an irregularly shaped white form in the center, which is surrounded by a larger (with a common arc) curve which in turn is flanked by a wider (also with a common arc) yellow.
Within the white form a number of small geometric patterns can be seen (blue irregular pentagon (?) in the center with another inverted one of the same shape, smaller size and red colour in the upper part, a network of black parallel or intersecting lines, four small blue rhombuses, a red circle as and small monochromatic curvilinear forms, in animal motifs, around the perimeter of the central composition).
The composition is projected onto a single off-white background, within which a multitude of geometric references are figuratively described around the perimeter, such as networks of circular and radially intersecting lines or vertically intersecting straight lines, forming respectively a circular or straight canvas, irregular, curvilinear, circular (concentric or intersecting) and rectangular surfaces, networks of intersecting straight lines or curves and straight lines, which vary overall in both colour and scale.
Suprematism.

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