Search engine for discovering works of Art, research articles, and books related to Art and Culture
Javascript must be enabled to continue!
On Touching the Violin
View through CrossRef
Abstract
This essay considers the work of Jean-Luc Nancy on touch as a model for a conception of the musical body. More than a re-emphasizing of the tactile, though, it is possible to show that Nancy’s work enables an understanding of music as touch. The significance of this re-thinking lies in the counterweight it provides to the degradation of music entailed in its digitalized de-materialization. Hegel is seen to be complicit in this degradation.
Title: On Touching the Violin
Description:
Abstract
This essay considers the work of Jean-Luc Nancy on touch as a model for a conception of the musical body.
More than a re-emphasizing of the tactile, though, it is possible to show that Nancy’s work enables an understanding of music as touch.
The significance of this re-thinking lies in the counterweight it provides to the degradation of music entailed in its digitalized de-materialization.
Hegel is seen to be complicit in this degradation.
Related Results
Niccolo Paganini: Life, illnes and virtuosity
Niccolo Paganini: Life, illnes and virtuosity
Niccolo Pagani was born in Genoa, October 27, 1782, and died May 27, 1840.
He was an Italian composer considered one of the archetypes of violin virtuosity and one of the greatest ...
ANALISIS TEKNIK PERMAINAN BIOLA PADA LAGU INTRODUZIONE E VARIAZIONI SUL TEMA NEL COR PIU NON MI SENTO PER VIOLIN SOLO KARYA NICCOLO PAGANINI
ANALISIS TEKNIK PERMAINAN BIOLA PADA LAGU INTRODUZIONE E VARIAZIONI SUL TEMA NEL COR PIU NON MI SENTO PER VIOLIN SOLO KARYA NICCOLO PAGANINI
Abstrak Nel Cor Piu Non Mi Sento merupakan sebuah komposisi karya Giovani Paisiello, seorang komposer berpengaruh dan populer pada akhir 1700an di Italia. Lagu tersebut kemudian di...
Bartók and his Violin Concerto
Bartók and his Violin Concerto
It is not surprising that Hungary's greatest composer should write a violin concerto whose qualities are unique. A good concerto has, among other obligations, that of displaying th...
Vitalistic Discourses of Violin Pedagogy in the Early Twentieth Century
Vitalistic Discourses of Violin Pedagogy in the Early Twentieth Century
Abstract
The pedagogical treatise is generally understood to be a manual of singing or instrumental techniques that is largely practical in approach, yet a critique ...
From Tone to Tune—Carl Stumpf and the Violin
From Tone to Tune—Carl Stumpf and the Violin
This article investigates the work of philosopher and experimental psychologist Carl Stumpf with a focus on embedding his scientific perspective in a practice of musicianship. Stum...
TEKNIK PERMAINAN LEFT HAND PIZZICATO PADA KARYA NEL COR PIU NON MI SENTO ARANSEMEN NICCOLO PAGANINI UNTUK VIOLIN BAGIAN TEMA
TEKNIK PERMAINAN LEFT HAND PIZZICATO PADA KARYA NEL COR PIU NON MI SENTO ARANSEMEN NICCOLO PAGANINI UNTUK VIOLIN BAGIAN TEMA
Nel Cor Piu Non Mi Sento Aransemen Niccolo Paganini menjadi salah satu karya masterpiece dari Niccolo Paganini. Karya ini memiliki sepuluh bagian, salah satunya adalah Tema yang te...
Touching Matters: Affective Entanglements in Coronatime
Touching Matters: Affective Entanglements in Coronatime
This article troubles touch as requiring embodied proximity, through an affective account of virtual touch during coronatime. Interested in doing academia differently, we started a...
BAROQUE MINIMALISM IN JOHN ADAMS'S VIOLIN CONCERTO
BAROQUE MINIMALISM IN JOHN ADAMS'S VIOLIN CONCERTO
AbstractThis study explores Adams's interpretation of Baroque genres and his creative methods that draw on a relationship between past and present in the Violin Concerto. In this c...