Javascript must be enabled to continue!
Enabling Virtual Music Performance Communities
View through CrossRef
The chapter provides an overview of virtual music communities focusing on novel collaboration environments aiming to support networked and geographically dispersed music performance. A key objective of the work reported is to investigate online collaborative practices during virtual music performances in community settings. To this effect, the first part of the chapter is devoted to reviewing different kinds of communities and their corresponding practices as manifested through social interaction. The second part of the chapter presents a case study, which elaborates on the realization of virtual music communities using a generic technological platform, namely DIAMOUSES. DIAMOUSES was designed to provide a host for several types of virtual music communities, intended for music rehearsals, live performances and music learning. Our recent experiments provide useful insights to the distinctive features of these alternative community settings as well as the practices prevailing in each case. The chapter is concluded by discussing open research issues and challenges relevant to virtual music performance communities.
Title: Enabling Virtual Music Performance Communities
Description:
The chapter provides an overview of virtual music communities focusing on novel collaboration environments aiming to support networked and geographically dispersed music performance.
A key objective of the work reported is to investigate online collaborative practices during virtual music performances in community settings.
To this effect, the first part of the chapter is devoted to reviewing different kinds of communities and their corresponding practices as manifested through social interaction.
The second part of the chapter presents a case study, which elaborates on the realization of virtual music communities using a generic technological platform, namely DIAMOUSES.
DIAMOUSES was designed to provide a host for several types of virtual music communities, intended for music rehearsals, live performances and music learning.
Our recent experiments provide useful insights to the distinctive features of these alternative community settings as well as the practices prevailing in each case.
The chapter is concluded by discussing open research issues and challenges relevant to virtual music performance communities.
Related Results
GEOSPATIAL ASPECTS OF FINANCIAL CAPACITY OF TERRITORIAL COMMUNITIES OF TERNOPIL REGION
GEOSPATIAL ASPECTS OF FINANCIAL CAPACITY OF TERRITORIAL COMMUNITIES OF TERNOPIL REGION
In the article geospatial aspects of the financial capacity of territorial communities of Ternopil region are described. The need to conduct such a study has been updated, since no...
Owner Bound Music: A study of popular sheet music selling and music making in the New Zealand home 1840-1940
Owner Bound Music: A study of popular sheet music selling and music making in the New Zealand home 1840-1940
<p>From 1840, when New Zealand became part of the British Empire, until 1940 when the nation celebrated its Centennial, the piano was the most dominant instrument in domestic...
Defining "Virtual Community"
Defining "Virtual Community"
The rise of the Internet has spawned the prolific use of the adjective “virtual.” Both the popular press and scholarly researchers have written about virtual work, virtual teams, v...
Defining "Virtual Community"
Defining "Virtual Community"
The rise of the Internet has spawned the prolific use of the adjective “virtual.” Both the popular press and scholarly researchers have written about virtual work, virtual teams, v...
Advancing knowledge in music therapy
Advancing knowledge in music therapy
It is now over 20 years since Ernest Boyer – an educator from the US and, amongst other posts, President of the Carnegie Foundation for the Advancement of Teaching – published his ...
Music Video
Music Video
Music video emerged as the object of academic writing shortly after the introduction in the United States of MTV (Music Television) in 1981. From the beginning, music video was cla...
Welcome to the Robbiedome
Welcome to the Robbiedome
One of the greatest joys in watching Foxtel is to see all the crazy people who run talk shows. Judgement, ridicule and generalisations slip from their tongues like overcooked lamb ...

