Javascript must be enabled to continue!
Lindsay Anderson and the Legacy of Free Cinema
View through CrossRef
Accepting that Free Cinema's legacy has been found on British cinema and television screens in the work of directors other than Lindsay Anderson, this article investigates whether Anderson's own films and television programmes made after the mid-1970s (including not only those that were released but others that were not completed) reveal a continuing commitment to what he liked to call the Free Cinema ‘tradition’ of film-making. In so doing it draws critical attention to Anderson's lesser known later works such as The Old Crowd, Is That All There Is?, In Celebration, The Whales of August and Glory! Glory! as well as to unmade projects such as The Grand Babylon Hotel, Dress Gray, Vile Bodies, Empire and If (2)….
Title: Lindsay Anderson and the Legacy of Free Cinema
Description:
Accepting that Free Cinema's legacy has been found on British cinema and television screens in the work of directors other than Lindsay Anderson, this article investigates whether Anderson's own films and television programmes made after the mid-1970s (including not only those that were released but others that were not completed) reveal a continuing commitment to what he liked to call the Free Cinema ‘tradition’ of film-making.
In so doing it draws critical attention to Anderson's lesser known later works such as The Old Crowd, Is That All There Is?, In Celebration, The Whales of August and Glory! Glory! as well as to unmade projects such as The Grand Babylon Hotel, Dress Gray, Vile Bodies, Empire and If (2)….
Related Results
The Struggle for History: Lindsay Anderson Teaches Free Cinema
The Struggle for History: Lindsay Anderson Teaches Free Cinema
In spring 1986, Lindsay Anderson appeared in a television programme on British cinema. This was part of a series of three under the heading British Cinema: Personal View, produced ...
Alternative Entrances: Phillip Noyce and Sydney’s Counterculture
Alternative Entrances: Phillip Noyce and Sydney’s Counterculture
Phillip Noyce is one of Australia’s most prominent film makers—a successful feature film director with both iconic Australian narratives and many a Hollywood blockbuster under his ...
The Origin, Practice and Meaning of the Free Cinema Manifesto
The Origin, Practice and Meaning of the Free Cinema Manifesto
In the late 1940s, the independent film quarterly Sequence, which championed a personal, committed cinema, stood for an attitude towards film-making that provided an important basi...
Los Angeles and Cinema
Los Angeles and Cinema
This article discusses the history of cinema in Los Angeles and the complex relationship that American film has had with its host city throughout film history. First, General Overv...
Improving crop salt tolerance through soil legacy effects
Improving crop salt tolerance through soil legacy effects
Soil salinization poses a critical problem, adversely affecting plant development and sustainable agriculture. Plants can produce soil legacy effects through interactions with the ...
Aller au cinéma, aller au peuple
Aller au cinéma, aller au peuple
Jenny LEFCOURT Aller au cinéma, aller au peuple Pendant l’entre-deux guerres et pour une partie de la société française, aller au cinéma était l’équivalent d’« aller au peuple » à ...
Transnational Chinese Cinemas
Transnational Chinese Cinemas
The term “transnational Chinese cinemas” first appeared in 1997 in the anthology Transnational Chinese Cinemas: Identity, Nationhood, Gender. It was coined, theorized, and introduc...
From Chinese independent cinema to art cinema: Convergence and divergence
From Chinese independent cinema to art cinema: Convergence and divergence
With the decline of Chinese independent cinema, art cinema has grown at a fast pace since the mid-2010s in China. There has been a convergence as well as a divergence of independen...

