Javascript must be enabled to continue!
Brazilian Women’s Filmmaking and the State during the 1970s and 1980s
View through CrossRef
This chapter examines the role of the Brazilian state in women's filmmaking. In 1969, the Empresa Brasileiro de Filmes (Embrafilme) came into being during the most repressive years of the military regime. Originally created to promote and distribute Brazilian films abroad, Embrafilme was charged to oversee commercial and noncommercial film activities such as film festivals, the publication of film journals, and training of technicians. By the early 1980s, Embrafilme had become a vital source for independent, auteur cinema in Brazil and helped secure—but not sustain—women's place in the Brazilian film industry. Once the government took on a more supportive role in the film industry, contemporary women filmmakers began participating in filmmaking; however, women filmmakers in Brazil have conflicting opinions about the state-led agency and its role in supporting their careers as directors.
Title: Brazilian Women’s Filmmaking and the State during the 1970s and 1980s
Description:
This chapter examines the role of the Brazilian state in women's filmmaking.
In 1969, the Empresa Brasileiro de Filmes (Embrafilme) came into being during the most repressive years of the military regime.
Originally created to promote and distribute Brazilian films abroad, Embrafilme was charged to oversee commercial and noncommercial film activities such as film festivals, the publication of film journals, and training of technicians.
By the early 1980s, Embrafilme had become a vital source for independent, auteur cinema in Brazil and helped secure—but not sustain—women's place in the Brazilian film industry.
Once the government took on a more supportive role in the film industry, contemporary women filmmakers began participating in filmmaking; however, women filmmakers in Brazil have conflicting opinions about the state-led agency and its role in supporting their careers as directors.
Related Results
Hollywood by Hollywood
Hollywood by Hollywood
The backstudio picture, or movie about filmmaking, is a genre as old and as recent as commercial filmmaking itself. This genre’s longevity is due to its function in branding filmma...
Introduction
Introduction
This book examines film history with the goal of reframing it to accommodate new approaches to women's filmmaking. It brings together a wide range of case studies investigating wom...
The Right Women
The Right Women
A powerful exploration of the role of women in the Republican Party that enhances readers' understanding of gender representation in the GOP and suggests solutions to address the p...
Union Responses to Workforce Feminization in the United States
Union Responses to Workforce Feminization in the United States
This chapter examines how labor unions responded to workforce feminization that began in the 1970s. It first places the relationship of women to unions in historical perspective be...
Women and Development
Women and Development
Economic development gained prominence as a field of economics after World War II in relation to the prospects of what came to be called underdeveloped, decolonizing, developing, o...
Representing Rural Women
Representing Rural Women
Representing Rural Women highlights the complexity and diversity of representations of rural women in the U.S. and Canada from the nineteenth to twenty-first centuries. The 15 chap...
Hollywood Transgressor or Hollywood Transvestite?
Hollywood Transgressor or Hollywood Transvestite?
This chapter examines the discursive circulation of Kathryn Bigelow's 2008 film The Hurt Locker and the debates that broke out about the suppression of gender in her 2010 Academy A...
Women Teaching International Studies
Women Teaching International Studies
One aspect of women’s professional experience in the field of international studies is that of teaching. Women’s experience in the gendered classroom has been shaped by three gener...


