Search engine for discovering works of Art, research articles, and books related to Art and Culture
ShareThis
Javascript must be enabled to continue!

Paul Eluard: Yugoslavian Episode

View through CrossRef
The paper discusses the personal and political relations between the French surrealist poet Paul Éluard and Serbian writers and intellectuals, first of all Marko Ristić, a theorist and one of the founders of the Serbian surrealist movement. We will show the reception of Éluard’s works in the Serbian cultural space, his visit to Yugoslavia, then Éluard’s activities in Paris related to Yugoslav politics. One significant part of the article represents, until now, unpublished archival documents that testify to the friendship between Éluard and Ristić. We will try to explain how this friendship ended after the Cominform Resolution in 1948 and what consequences it had on Serbian and French culture.
Vilnius University Press
Title: Paul Eluard: Yugoslavian Episode
Description:
The paper discusses the personal and political relations between the French surrealist poet Paul Éluard and Serbian writers and intellectuals, first of all Marko Ristić, a theorist and one of the founders of the Serbian surrealist movement.
We will show the reception of Éluard’s works in the Serbian cultural space, his visit to Yugoslavia, then Éluard’s activities in Paris related to Yugoslav politics.
One significant part of the article represents, until now, unpublished archival documents that testify to the friendship between Éluard and Ristić.
We will try to explain how this friendship ended after the Cominform Resolution in 1948 and what consequences it had on Serbian and French culture.

Related Results

A poesia de terror em Paul Éluard, Julia Hartwig e Anne Sexton
A poesia de terror em Paul Éluard, Julia Hartwig e Anne Sexton
Resumo: Ao indagar a complexa relação estética que se tece entre a poética do gótico e a poética do surrealismo, assegurada pelas experiências da crise do mito, do informe, e em co...
Aproximación al poema Joan Miró de Paul Éluard
Aproximación al poema Joan Miró de Paul Éluard
Parmi les nombreux artistes présents dans les vers d’Éluard se trouve Joan Miró. L’artiste fait l’objet de tout un poème portant son nom et qui figure dans le livre Capitale de la ...
Rereading Rabelais' Sacred Noise
Rereading Rabelais' Sacred Noise
Dans l’épisode des paroles degelées, les marins du navire Thalamège arrivent dans une zone où des mots gelés fondent et éclatent lorsqu’ils sont touchés. Les chercheurs ont tenté p...
“The Halo Paul Celan”. Revisiting Romanian manuscripts of Paul Celan
“The Halo Paul Celan”. Revisiting Romanian manuscripts of Paul Celan
This paper aims to explore Paul Celan’s writings in the Romanian language which have been preserved as manuscripts, and their significance to his very earliest poetry. Firstly, I w...
Paul among the Fluent in Corinth
Paul among the Fluent in Corinth
Abstract This article foregrounds the importance of Paul’s letters for studying the experiences and perceptions of persons who stutter in antiquity. It analyzes Paul’s speech along...
OF BIRDS AND INSECTS: THE HUMMINGBIRD MYTH IN ANCIENT MESOAMERICA
OF BIRDS AND INSECTS: THE HUMMINGBIRD MYTH IN ANCIENT MESOAMERICA
AbstractAn important episode in Mesoamerican mythical narratives involves the abduction or impregnation of a tightly guarded maiden by a disguised god, against the will of her fath...
Paul in the Eyes of Profayt Duran: Constructing a Jewish Paul
Paul in the Eyes of Profayt Duran: Constructing a Jewish Paul
This article offers a new approach to Profayt Duran's Reproach of the Gentiles (Kelimat ha-goyim), emphasizing the particular place accorded to Paul in this work and reading it aga...

Recent Results

Okinawa o horu
Okinawa o horu
Minoru Kinjō, Nagasaki-shi (Japan) in art, 1987, Gendai Shokan...
Sitting Forward or Sitting Back: Highbrow v. Middlebrow Reading
Sitting Forward or Sitting Back: Highbrow v. Middlebrow Reading
This article begins by asserting that the distinction between high and middlebrow literary texts rests fundamentally not on literary merit or cultural hierarchies but on the cultur...

Back to Top