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Introduction

The introduction lays out the paradoxical nature of early twentieth-century pastoral music, contrasting its large-scale popularity among listeners with its long-term critical dismissal. However, if considered as a manifestation of what Peter Stansky calls the “radical domestic”—the bringing about of significant cultural changes incrementally, so as to avoid political and social disruption—then pastoralism actually reflects an important facet of British musical modernism. Arising after 1920, this new idiom departed from more traditional evocations of the pastoral associated with the Romantic era, but still embraced a similarly broad array of topics even as the stylistic range began to narrow.

University of Illinois Press

Eric Saylor

University of Illinois Press

2018

Title: Introduction

Description:

The introduction lays out the paradoxical nature of early twentieth-century pastoral music, contrasting its large-scale popularity among listeners with its long-term critical dismissal.

However, if considered as a manifestation of what Peter Stansky calls the “radical domestic”—the bringing about of significant cultural changes incrementally, so as to avoid political and social disruption—then pastoralism actually reflects an important facet of British musical modernism.

Arising after 1920, this new idiom departed from more traditional evocations of the pastoral associated with the Romantic era, but still embraced a similarly broad array of topics even as the stylistic range began to narrow.

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Introduction

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