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Motet 18:Bone pastor Guillerme/Bone pastor, qui pastores/Bone pastor
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AbstractThis chapter expands earlier observations about the close planning of text and music together for Motet 18 in such a way as to place monosyllables so that no words would be broken by rests in the isorhythmic hockets of the second section. This could not have happened by accident. Debates have centred around the early date apparently required by the motet’s undisputed dedicatee, Guillaume de Trie, Bishop of Reims. Musically, it has a number of features which seem precocious for 1325, notably a single minim rest. Recent later datings by Karen Desmond and Lawrence Earp are considered, but the present author concludes that the earlier dating is not impossible. A postscript offers a tidier notational solution to the tenor of Motet 2 than those proposed previously.
Title: Motet 18:Bone pastor Guillerme/Bone pastor, qui pastores/Bone pastor
Description:
AbstractThis chapter expands earlier observations about the close planning of text and music together for Motet 18 in such a way as to place monosyllables so that no words would be broken by rests in the isorhythmic hockets of the second section.
This could not have happened by accident.
Debates have centred around the early date apparently required by the motet’s undisputed dedicatee, Guillaume de Trie, Bishop of Reims.
Musically, it has a number of features which seem precocious for 1325, notably a single minim rest.
Recent later datings by Karen Desmond and Lawrence Earp are considered, but the present author concludes that the earlier dating is not impossible.
A postscript offers a tidier notational solution to the tenor of Motet 2 than those proposed previously.
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