Javascript must be enabled to continue!
This Exhibition is about now: Tasmanian Aboriginality at the Tasmanian Museum and Art Gallery
View through CrossRef
AbstractThis article focuses on the design and execution of two exhibits about Tasmanian Aboriginality at the Tasmanian Museum and Art Gallery. The first is a Tasmanian Aboriginal group exhibit from 1931, which was heavily informed by ideologies of Tasmanian primitivity and extinction. The second is 2008's tayenebe, a celebration of the resurgence of fiber work among Tasmanian Aboriginal women. In each instance, the Tasmanian Aboriginal people are on display, but the level of community control and subtext is notably different. This article builds on discussions of cultural revitalization and reclamation by showing the process and how it is depicted for public consumption. [cultural revitalization, representation, indigeneity, Tasmania, Australia]
Title: This Exhibition is about now: Tasmanian Aboriginality at the Tasmanian Museum and Art Gallery
Description:
AbstractThis article focuses on the design and execution of two exhibits about Tasmanian Aboriginality at the Tasmanian Museum and Art Gallery.
The first is a Tasmanian Aboriginal group exhibit from 1931, which was heavily informed by ideologies of Tasmanian primitivity and extinction.
The second is 2008's tayenebe, a celebration of the resurgence of fiber work among Tasmanian Aboriginal women.
In each instance, the Tasmanian Aboriginal people are on display, but the level of community control and subtext is notably different.
This article builds on discussions of cultural revitalization and reclamation by showing the process and how it is depicted for public consumption.
[cultural revitalization, representation, indigeneity, Tasmania, Australia].
Related Results
Reclaiming the Wasteland: Samson and Delilah and the Historical Perception and Construction of Indigenous Knowledges in Australian Cinema
Reclaiming the Wasteland: Samson and Delilah and the Historical Perception and Construction of Indigenous Knowledges in Australian Cinema
It was always based on a teenage love story between the two kids. One is a sniffer and one is not. It was designed for Central Australia because we do write these kids off there. N...
Moon Gallery Garden: Moon Gallery update 202
Moon Gallery Garden: Moon Gallery update 202
Moon Gallery GardenWe will give a report on Moon Gallery Garden exhibition 6 June to 12 July, 2020, Amsterdam and give an update on recent Moon Gallery activities and step...
Wildlife law and policy
Wildlife law and policy
One of the crucial issues of our decades is how to stop the loss of biodiversity. Policy–makers need reliable data to base their decisions on. Managing wildlife p...
Design model of museum IP special exhibition: Standardization of workflow
Design model of museum IP special exhibition: Standardization of workflow
With the development of big data, the Internet and digital technology, the development of mass communication has been accelerated, and the audience needs of museums have also been ...
Innovation in gallery education: Art experimental workshops in the Moravian Gallery
Innovation in gallery education: Art experimental workshops in the Moravian Gallery
The framework of this paper describes my own experience as an independent gallery educator in a museum institution, implementing a "classic educational format" focusing on experien...
Immunology of naturally transmissible tumours
Immunology of naturally transmissible tumours
SummaryNaturally transmissible tumours can emerge when a tumour cell gains the ability to pass as an infectious allograft between individuals. The ability of these tumours to colon...
Gallery Tour Strategy to Increase the Number of Visitors at Tirtodipuran Gallery Link Yogyakarta
Gallery Tour Strategy to Increase the Number of Visitors at Tirtodipuran Gallery Link Yogyakarta
The strategy to increase the number of visitors to galleries and museums is now still a burden for managers. The promotion strategy used by the manager should not stand alone or co...
Jieshou Painted Pottery Museum under Digital Interactive Experience Exhibition Design
Jieshou Painted Pottery Museum under Digital Interactive Experience Exhibition Design
With the rapid development of digital science and technology, the interactive exhibition technology has been welcomed and recognized by the public in the new era. In the exhibition...

