Search engine for discovering works of Art, research articles, and books related to Art and Culture
ShareThis
Javascript must be enabled to continue!

The psychological dimension in the paintings of Kurdish artists (selected models)

View through CrossRef
The research tagged (The psychological dimension in the paintings of Kurdish artists (selected models) dealt with four chapters, the first chapter included the methodological framework: The research problem was identified by a number of questions whose summary can be diagnosed as follows: 1- How do Kurdish artists express their psychological dimensions through their paintings? 2- What are the psychological, cultural and social influences reflected in these paintings? The importance of research lies in the following points:  1- Highlighting the relationship between psychological experiences and the artistic style of Kurdish artists through selected models. The objectives of the research included the following: 1- Knowing the psychological dimension in the paintings of Kurdish artists. 2- Analysis of psychological and social factors affecting the creativity of Kurdish artists. It includes temporal boundaries from (1978) to (2003). The second chapter included three sections: 1- Introduction to psychology: 2- Psychoanalytic theory, 3- The psychological and aesthetic dimension in art. The third chapter dealt with research procedures, including the research community of (9) models and its sample of (3) models. The researcher reached a number of results, the most important of which are: - 1- The Kurdish artist seeks to enrich his artistic experience with topics related to the psychological dimension and the most circulated, as in figures (1, 2, 3). 2- The psychological dimension appeared effectively in the paintings of Kurdish artists, and due to the variation in the artists' styles and the different implementation from one artist to another in terms of structural performance (installation, reduction, simplification) as in figures (1, 2, 3). The researcher reached a number of conclusions: - 1- The psychological dimension in the paintings of Kurdish artists is a main source in the composition of the Kurdish artwork despite the stylistic diversity of the artists.2- The Kurdish environment affected the psychological and cultural fabric of the Kurdish artist and provided him with a variety of visual choices that contributed to enriching his artistic work. The researcher reached a number of recommendations and suggestions
Title: The psychological dimension in the paintings of Kurdish artists (selected models)
Description:
The research tagged (The psychological dimension in the paintings of Kurdish artists (selected models) dealt with four chapters, the first chapter included the methodological framework: The research problem was identified by a number of questions whose summary can be diagnosed as follows: 1- How do Kurdish artists express their psychological dimensions through their paintings? 2- What are the psychological, cultural and social influences reflected in these paintings? The importance of research lies in the following points:  1- Highlighting the relationship between psychological experiences and the artistic style of Kurdish artists through selected models.
The objectives of the research included the following: 1- Knowing the psychological dimension in the paintings of Kurdish artists.
2- Analysis of psychological and social factors affecting the creativity of Kurdish artists.
It includes temporal boundaries from (1978) to (2003).
The second chapter included three sections: 1- Introduction to psychology: 2- Psychoanalytic theory, 3- The psychological and aesthetic dimension in art.
The third chapter dealt with research procedures, including the research community of (9) models and its sample of (3) models.
The researcher reached a number of results, the most important of which are: - 1- The Kurdish artist seeks to enrich his artistic experience with topics related to the psychological dimension and the most circulated, as in figures (1, 2, 3).
2- The psychological dimension appeared effectively in the paintings of Kurdish artists, and due to the variation in the artists' styles and the different implementation from one artist to another in terms of structural performance (installation, reduction, simplification) as in figures (1, 2, 3).
The researcher reached a number of conclusions: - 1- The psychological dimension in the paintings of Kurdish artists is a main source in the composition of the Kurdish artwork despite the stylistic diversity of the artists.
2- The Kurdish environment affected the psychological and cultural fabric of the Kurdish artist and provided him with a variety of visual choices that contributed to enriching his artistic work.
The researcher reached a number of recommendations and suggestions.

Related Results

Variation in Countability Properties and Noun Classes
Variation in Countability Properties and Noun Classes
This paper establishes that Sorani Kurdish has a mass/count distinction that can be distinguished by looking at, which nouns occur with plural moprhology (-an), optional classifier...
Tackling the Divide in the Kurdish Language
Tackling the Divide in the Kurdish Language
Abstract This article is an autoethnographic account that traces the widening divide between Kurdish dialects in the age of nation-states. It aspires to problematize and go bey...
Analyzing Delinquency Among Kurdish Adolescents: a Test of Hirschi’s Social Bonding Theory
Analyzing Delinquency Among Kurdish Adolescents: a Test of Hirschi’s Social Bonding Theory
This study examines the mediating effect of social bonding on delinquent behavior among Kurdish teens. Major influences to the study of self concept and delinquency based on Hirsch...
Social Identity in Kurdish Film from a Theoretical and Sociologists Perspectives
Social Identity in Kurdish Film from a Theoretical and Sociologists Perspectives
This research attempts to detect the meanings of social identity of an individual as an actor in life and its relation to the other individuals. Thoughts and behaviors are related ...
The Securitization and De-Securitization of Kurdish Societal Security in Turkey, Iraq, Iran, And Syria
The Securitization and De-Securitization of Kurdish Societal Security in Turkey, Iraq, Iran, And Syria
The four countries hosting Kurdish populations in the Middle East have mainly been politically centralized in character and sought to follow a homogeneous nation-state model throug...
The impact of commercial advertising on Facebook on the economy of Kurdish satellites in the Kurdistan Region
The impact of commercial advertising on Facebook on the economy of Kurdish satellites in the Kurdistan Region
The impact of commercial advertising in Facebook on the economy of Kurdish television channels in the Kurdistan Region is the subject of this study, which is part of a PhD thesis. ...
What can Kurdish art tell us about Anfal?
What can Kurdish art tell us about Anfal?
The essential aim of genocide is to exterminate and completely destroy a certain group so that no one tells the story of their death and destruction in order to completely erase th...
The Kurdish National Movement
The Kurdish National Movement
A native of Iraq,Wadie Jwaideh founded the Islamic and Near Eastern studiesprogram at Indiana University (Bloomington) in the early 1960s and oversawitsrise to national and interna...

Back to Top