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Sreedhur Moonshee's Ghat and Rana Muhul, Benares.
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Plate 11from the second part of James Prinsep's
'Benares Illustrated'. Prinsep (1799-1840), an antiquary and
colonial administrator was assay master at the Benares Mint between
1820-30. The lithographs published in this collection were based on
his original sketches of the various views of the 'holy' city of
the Hindus. Of this view he writes: 'Shreedhur, formerly one of the
ministers of the Raja of Nagpoor retired from office in the year
1812, and obtained permission to reside at Benares. He built a
magnificent edifice of stone to the south of Kewulgir ghat, of
which the present engraving gives but an imperfect idea. The
Moonshee died in 1824, leaving as his heir, an adopted child of the
name of Narayan Rao. The Rana Mahal or Prince's buildings, as it
may be rendered in English, was erected by the Rana of Oodypoor, in
the 17th c. for the accommodation of travellers and pilgrims...The
women seated in a row on the margin of the water are engaged in
making little clay images of the lingum, which they place beside
them, sprinkle with water, milk, flowers
etc...'.
Title: Sreedhur Moonshee's Ghat and Rana Muhul, Benares.
Description:
Plate 11from the second part of James Prinsep's
'Benares Illustrated'.
Prinsep (1799-1840), an antiquary and
colonial administrator was assay master at the Benares Mint between
1820-30.
The lithographs published in this collection were based on
his original sketches of the various views of the 'holy' city of
the Hindus.
Of this view he writes: 'Shreedhur, formerly one of the
ministers of the Raja of Nagpoor retired from office in the year
1812, and obtained permission to reside at Benares.
He built a
magnificent edifice of stone to the south of Kewulgir ghat, of
which the present engraving gives but an imperfect idea.
The
Moonshee died in 1824, leaving as his heir, an adopted child of the
name of Narayan Rao.
The Rana Mahal or Prince's buildings, as it
may be rendered in English, was erected by the Rana of Oodypoor, in
the 17th c.
for the accommodation of travellers and pilgrims.
The
women seated in a row on the margin of the water are engaged in
making little clay images of the lingum, which they place beside
them, sprinkle with water, milk, flowers
etc.
'.
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