Search engine for discovering works of Art, research articles, and books related to Art and Culture
ShareThis
Javascript must be enabled to continue!

A Salon-in-Exile

View through CrossRef
This open access book re-evaluates the influence of theancien régimesalons, which were the foremost cultural centres in early modern France. Presided over by women, these salons carved out spaces for poetry recitals, performances, and scientific lectures amid polite conversation, enabling mixed-gender intellectual exchange. But what happened when salon attendees were banished from France and exported the salon to a new national audience? How did visitors of different creeds and nationalities share this space? In other words, what happened when the salon model itself went into exile? InA Salon-in-Exile, Annalisa Nicholson explores the translation of the salon from France to England in the late seventeenth century via the first book-length study of the Mazarin salon. Hosted by Hortense Mancini (Duchess of Mazarin) and Charles de Saint-Évremond, the Mazarin circle quickly became one of the most celebrated salons in Europe and the most vibrant Francophone community in London. Across the chapters, Nicholson examines the establishment of the Mazarin salon in 1676 and the activities that it offered – from conversation and gambling to performance and literary collaboration. As a space that brought together the capital’s community of French and European exiles with Restoration London’s elite, the salon fostered engagement with European thought, French literature, and epicurean philosophy. Attending to this oral and written exchange,A Salon-in-Exileprovides a new account of co-existence and collaboration in early modern society with analysis of a wide-ranging corpus of letters, memoirs, plays, operas, and essays. By investigating what happens when the model of the salon moved beyond France's borders, Nicholson argues that the salon transformed into a distinctively pan-European space that accommodated its multilingual and multiconfessional membership. The ebook editions of this book are available open access under a CC BY-NC-ND 4.0 licence on bloomsburycollections.com. Open access was funded by UKRI.
Bloomsbury Publishing Plc
Title: A Salon-in-Exile
Description:
This open access book re-evaluates the influence of theancien régimesalons, which were the foremost cultural centres in early modern France.
Presided over by women, these salons carved out spaces for poetry recitals, performances, and scientific lectures amid polite conversation, enabling mixed-gender intellectual exchange.
But what happened when salon attendees were banished from France and exported the salon to a new national audience? How did visitors of different creeds and nationalities share this space? In other words, what happened when the salon model itself went into exile? InA Salon-in-Exile, Annalisa Nicholson explores the translation of the salon from France to England in the late seventeenth century via the first book-length study of the Mazarin salon.
Hosted by Hortense Mancini (Duchess of Mazarin) and Charles de Saint-Évremond, the Mazarin circle quickly became one of the most celebrated salons in Europe and the most vibrant Francophone community in London.
Across the chapters, Nicholson examines the establishment of the Mazarin salon in 1676 and the activities that it offered – from conversation and gambling to performance and literary collaboration.
As a space that brought together the capital’s community of French and European exiles with Restoration London’s elite, the salon fostered engagement with European thought, French literature, and epicurean philosophy.
Attending to this oral and written exchange,A Salon-in-Exileprovides a new account of co-existence and collaboration in early modern society with analysis of a wide-ranging corpus of letters, memoirs, plays, operas, and essays.
By investigating what happens when the model of the salon moved beyond France's borders, Nicholson argues that the salon transformed into a distinctively pan-European space that accommodated its multilingual and multiconfessional membership.
The ebook editions of this book are available open access under a CC BY-NC-ND 4.
0 licence on bloomsburycollections.
com.
Open access was funded by UKRI.

Related Results

Saturday Night at the S Street Salon
Saturday Night at the S Street Salon
This chapter introduces one of the most understudied communities of New Negro writers. Commencing in the 1920s, African American writer Georgia Douglas Johnson invited writers to h...
Liz Phair's Exile in Guyville
Liz Phair's Exile in Guyville
Although Exile in Guyville was celebrated as one of the year's top records by Spin and the New York Times, it was also, to some, an abomination: a mockery of the Rolling Stones' mo...
Gao Xingjian’s Post-Exile Plays
Gao Xingjian’s Post-Exile Plays
Awarded the Nobel Prize for Literature in 2000, Gao Xingjian is the first Chinese writer to be so lauded for his prose and plays. Since relocating to France in 1987, in a voluntary...
The Exile of Adam in Romans
The Exile of Adam in Romans
This book investigates the “divine son” motif in Romans 5 and 8 through the lens of exile and restoration. David P. Barry presents a pattern of allusions to Israel and Adam and arg...
The Ethics of Exile
The Ethics of Exile
Abstract Using the tools of normative political theory, this book explores the political relationship between exiles and the communities from which they have fled. I...
Josephine Balmer and Averill Curdy
Josephine Balmer and Averill Curdy
Ovid’s poems of exile have found new life not only through Darrieussecq’s translations, but also through the way in which they inform the poetry of Josephine Balmer whose volume Th...
Gao Xingjian
Gao Xingjian
This chapter looks at how Gao Xingjian, the 2000 Nobel Prize laureate in literature, has brought Zhuangzi’s spirit of absolute liberation and freedom to the highest level. A discus...
Back Again? Valeska Gert’s Exiles
Back Again? Valeska Gert’s Exiles
This chapter questions what exile means for an artist whose performances relied on a strategy of estrangement. In so doing, it follows Valeska Gert (1892–1978) through her American...

Back to Top